Creating in Art

My creative being in art is on a path without interruptions - currently also pursuing a Bachelor of  Curatorial Studies in Arts (UNA), after being trained in abstract expressionism through MoMA-, firstly through painting, which is also leading to the development of other projects.
In this way, I usually work on large surface dimensions, where I surrender to the void of the canvas or other support, currently juxtaposing reliefs or merging them with it.
My artworks tend to mix abstractions with figurative art, which also actually brings a true abstraction of reality, instead of constituting a representation of that reality in the images we see.
When reading my artworks –exhibited at Museums, Culture Houses and galleries in Argentina, Colombia, and Italy (Arte Laguna) -, it is also worth considering that the abstract base, from which said figurative work arises and which underlies it, is a fundamental and not an accessory part of the whole.
Thus, nature appears not as a graphic resource of what is known as pre-existing, but as an instrument of interpellation of being, as long as the figure in question can be considered complete or not, under construction or deconstruction, limited or no, on axes such as impermanence, transmutation, flow and becoming.
My latest and current artworks incorporate external elements to the canvas, which constitutes both its point of roots and its inseparable integration, causing the rupture of their two-dimensionality.